Literature and Music: Why this academic field (still) matters
Werner Wolf
JLMS, Vol. 1, No. 1, 2026, pp.1-9.
Recognizing Boundaries and Hearing Sounds: Consensus, Misunderstandings, and Frontiers in Interdisciplinary Studies of Literature and Music
Zhang Lei
JLMS, Vol. 1, No. 1, 2026, pp.10-20.
Exploration and Representation: Musical Writing in the Modern Sensory Perception Mode—Taking British modernist novels as an example
Wang Xichong
JLMS, Vol. 1, No. 1, 2026, pp.21-33.
Robert Frost’s “Sound of Sense”: Theory and Practice
Luo Bin
JLMS, Vol. 1, No. 1, 2026, pp.34-48.
Tones and Images: Parallel Reading of Edward Said’s Musical Criticism and Lu Xun’s Film Criticism
Li Sheng
JLMS, Vol. 1, No. 1, 2026, pp.49-61.
The Auditory Narrative in Literature: Expanding the Solutions to the Current Challenges in Music Interpretation—Centered on The King Is Listening and Specific Music, a Cross-Media Reference
Shan Jinlong
JLMS, Vol. 1, No. 1, 2026, pp.62-75.
On the Writing of Community and Its Musical Representation in The Waves
Zhou Bojia
JLMS, Vol. 1, No. 1, 2026, pp. 76-85.
How to Transcend the Long-Standing Debate over “Novels Imitating Music”: A Review of Gerry Smyth’s Music in Contemporary British Fiction: Listening to the Novel
Chen Chen
JLMS, Vol. 1, No. 1, 2026, pp. 86-90.
Introducing, Constructing, and Transcending: A Review of Fu Xiuyan’s A Study of Auditory Narratology
Pan Shuhao
JLMS, Vol. 1, No. 1, 2026, pp. 91-97.
Rehear “a Macrocosmic Musical Composition”: Start from Schafer’s The Soundscape: Our Sonic Environment and the Tuning of the World
Chen Ziyao
JLMS, Vol. 1, No. 1, 2026, pp.98
The Foundational Paradigm and Critical Expansion of Novel-to-Music Research: A Review of Werner Wolf’s The Musicalization of Fiction: A Study in the Theory and History of Intermediality
Liu Xi
JLMS, Vol. 1, No. 1, 2026, pp.106-113.
“A Lens with Sharp Edges but a Blurred Centre”: A Review of Jacques Attali’s Noise: The Political Economy of Music
Ou Qisheng
JLMS, Vol. 1, No. 1, 2026, pp.114-122.
